Publications

Ed Varney’s poetry mixes surreal wit, philosophical edge, and playful turns of language. His writing has been published in numerous chapbooks, magazines, and anthologies since the 1970s. He continues to write and regularly reads at poetry events in spaces around the Comox Valley on Vancouver Island.

Ed also co-founded Intermedia Press and helped lead groups like the Vancouver Poetry Front, Poetry Co-op, and Poetry Quartet, all contributions that helped shape Canada’s experimental poetry scene. In 2020, he co-edited the anthology, Drift: Poems and Poets from the Comox Valley.

  • Crossroads: Writing at the Speed of Thought

    Crossroads: Writing at the Speed of Thought

    Published by The Poem Factory (2025)

  • ineffable: The Mystical Poems by Edwin Varney

    Ineffable: The Mystical Poems

    Published by The Poem Factory (2022)

  • XOX by Edwin Varney

    XOX: A Selection of Concrete, Graphic, and Visual Poems

    Published by The Poem Factory (2018)

  • Everything Just Got Clearer

    Published by The Poem Factory (2017)

  • The Traveller - Chapbook by Ed Varney

    The Traveller

    Published by The Poem Factory (2018)

  • Shadow by Edwin Varney

    Shadow

    Published by The Poem Factory (2014)

  • Tomorrow Never Comes by Edwin Varney

    Tomorrow Never Comes

    Published by The Poem Factory (2012)

  • Paper Boat by Edwin Varney

    Paper Boat

    Published by The Poem Factory (2002)

  • Bird

    Published by The Poem Factory (2011)

  • Blue Sky by Edwin Varney

    Blue Sky

    Published by the Poem Factory (2001)

  • What is Poetry - Essays & Poems by Ed Varney

    What is Poetry - Essays & Poems

    Published by The Poem Factory (1998)

  • Entering the World by Edwin Varney

    Entering the World

    Published by The Poem Factory (1997)

  • The Doomsday Clock

    The Doomsday Clock

    Published by The Poem Factory (1996)

  • Solar Eclipse - Poems by Edwin Varney

    Solar Eclipse

    Published by the Poem Factory (1994)

  • What the Wind Said by Ed Varney

    What the Wind Said

    Published by Caitlin (1991)

  • Nothing Ever Changes by Edwin Varney

    Nothing Ever Changes

    Published [add date]

  • The Bear & Other Poems by Ed Varney

    The Bear & Other Poems

    Published [add date]

  • Human Nature by Ed Varney

    Human Nature

    Published by Intermedia (1974)

  • Summer Songs by Ed Varney

    Summer Songs

    Published by Midnite Press (1971)

  • Openings

    Published by Intermedia (1969)

Feature in BC Book World

Poet and artist, Edwin Varney was born in New Rochelle, New York, and received his BA and MA from Syracuse University where he studied with poets Delmore Schwartz and Donald Justice and printmaker Robert Marx. He came to Vancouver as a draft dodger in 1968.

In Vancouver, he joined the legendary multimedia artist’s collaborative group Intermedia and founded Intermedia Press in 1969 as its publishing arm. He was one of the founding members of the Association of Canadian Published and the Literary Press Group. In 1971, he joined forces with poet Henry Rappaport and between 1969 and 1981, Intermedia Press published 55 books of poetry and 50 novels, short story collections, anthologies and trade books. Intermedia Press played an important part in the explosion of interest in Canadian literature in the 1970s. publishing poets such as Beth Jankola, Tim Lander, Stanley Cooperman, Pat Lowther, Mona fertig, Judith Capithorne, Bill Bissett, Rikki Ducornet, Cathy Ford, Nellie McClung, Avron Hoffman and Maxine Gadd.

Varney was the founding editor of the Poem Company (1970 - 1974), a member of the Vancouver Poetry Front (1970 - 1971), one of Canada’s earliest collaborative poetry performance groups, and founder of the Intermedia Video Band (1970 - 1972). His interest in sound and concrete poetry led him to explore various and innovative approaches to the visual presentation of poetry which found a receptive audience in South America and Europe. His work appeared in numerous magazines and exhibitions.

He published Openings (Intermedia, 1969), a portfolio of poems and prints, Summer Songs (Midnite Press, 1971) poetry, and Human Nature (Intermedia, 1974) a collection of poetry, graphics and concrete poetry. He became involved in trading poetry and visual art through the mail with other artists and poets and was one of the first generation of Mail Artists, a worldwide correspondence network of artists and writers who used the postal system as an expressive mode of communication and exchange and which foreshadowed the internet by two decades. In 1973, he was given an 1896 pinhole perforating machine and he began what was a lifelong fascination with Artistamps, producing well over a hundred different edititions.

He was the founder of the Vancouver Poetry Co-op (1973 - 1975), a member of the Vancouver Poetry Quartet (1977 - 1978) and the Vancouver Surrealist Group (1979 - 1993). in the 1980s, he continued to publish work in small magazines and to exhibit his work in venues around the world. he became increasingly involved in the visual arts, servin on the organizing committee of Artropolis (1984 - 2003), and on the board of numerous art galleries and arts organizations. He was a founding editor of Bite poetry magazine (1985 - 1988) and in 1991, he and Carolyn Zonailo founded the Poem Factory (1991 - 2003). In the early 1990s, he published a substantial collection of poetry titled, What the Wind Said (Caitlin, 1991) and since then has produced several chapbooks, numerous essays, art catalogue essays, and reviews as well as seeing his visual art appear in over 300 exhibitions in 35 countries.

In the 1990s, he became interested in public art and was the manager of several important public art projects in Vancouver. He served on various committees with the City of Vancouver and the Parks Board including the organizing committee of Roundhouse and was a member of its first board of directors. He is a research fellow at the Specific Research Institute and a consultant for the Museo Internacionale de Neu Art and continues to serve on the boards of several organizations and societies.

Varney has been a fervent promoter of Canadian poets and artists and continues to find context for poetry and art outside of the usual established and academic arenas. His own poetry is marked by philosophical surrealism, twisted and stretched syntax, and it is scattered with aphorisms and epigrams. His underlying theme is exploration of moments of natural mysticism and charged emotion within everyday existence. His visual art is full of visual conundrums and tricks, fooling the eye and the mind into a metaphorical level of understanding. He continues to write and explore the art making process.

Based in Royston on Vancouver Island, Varney has continued to write, print and sell "strange and beautiful handmade books for advanced readers"; from out of Courtenay, including Perro Verlag's alluring The Book of Nada, a petite philosophical treatise that Varney initially described as being found in his archives dating back to the early 1970s. He later revealed he had written it in the Seventies and updated it for publication under a pseudonym.

~ Written by Alan Twig of BC Book World